CEG Presents

LED ZEPPELIN trib Lez Zeppelin-All Girls, All Zeppelin Perform PHYSICAL GRAFFITI plus DJ Alex Kayne


Feb 28 Fri
LED ZEPPELIN trib Lez Zeppelin-All Girls, All Zeppelin Perform PHYSICAL GRAFFITI plus DJ Alex Kayne8:00 PM
127 East 23rd Street, New York, NY


This is a fully reserved Seated Show.

Lez Zeppelin

LEZ ZEPPELIN, the New York City-based all-girl band has gained worldwide critical acclaim for the musicianship, passion and gender-bending audacity they bring to the music of Led Zeppelin.

Founded in 2004 by New York guitarist, Steph Paynes, It wasn’t long before the group’s reputation for playing Zeppelin’s music with a kind of passion and force beyond anyone’s expectations began to attract major interest from press and industry. In June, 2005, Chuck Klosterman wrote an article for SPIN magazine that featured Lez Zeppelin as a leading protagonist in a trend of all-female hard rock “tribute” bands. He referred to the group “the most powerful all-female band in rock history” and described the rise of bands like Lez Zeppelin as a “kind of multilayered cultural phenomenon.” The fortunes and notoriety of the group surged after this and Lez Zeppelin became provocative subject for the news media across the world. Stories about the group appeared in the Times of London, whose journalist called the band “the best new band I’ve seen all year, no question;” Reuters and 
CNN.com, which ran a front page feature that called the group so “electrifying” they are “driving club audiences to a frenzy.” The group also appeared as part of a major feature on CBS Good Morning, which ran nation-wide, as well as on many other local TV news spots in New York (ABC, WB) and across the country.

In April 2007, after extensive touring in the US and Europe the band released its first album, Lez Zeppelin, which was produced by Eddie Kramer, renowned for his work as recording engineer on several of Led’s albums – most notably, Led Zeppelin II, Physical Grafitti and The Song Remains the Same. In the wake of this release, the band was invited as the first “tribute band” to ever appear at a series of major rock festivals including the Download Festival (formerly Donnington Park) in the UK; Rock-Am-Ring and Rock-Im-Park in Germany; and at the Voodoo Festival in New Orleans. However, it was an announcement in February of 2008, that Lez Zeppelin would take the stage at the Bonnaroo Festival that sparked a worldwide media storm. Several major press organizations, including the Associated Press, Billboard, NME, the Chicago Sun Times and more, reported mistakenly that LED Zeppelin – in the wake of their historic reunion at the O2 in London -- would headline the festival, an embarrassing gaff that had to then be corrected, turning the announcement of Lez Zeppelin’s appearance into headline news across the world. Lez Zeppelin became a much-anticipated highlight of the festival, headlining opening night with a blistering set for an audience of 20,000 people.

Throughout 2008, the group continued to tour heavily in the U.S. and in the late fall made its first visit to Japan to promote the release of the debut record, which had sold nearly 7,000 copies the first few months after release. In March 2009, Lez Zeppelin was invited to India by a major network media task force to headline The Concert for Mumbai, a benefit organized to buy ambulances, which were sorely lacking in the aftermath of the terrorist bombings in Mumbai. Again, Lez Zeppelin held the unique distinction of being the first American group of its kind to take part in an event of this magnitude.

Following a three-month tour of the US, the band headed back into the studio to start on a second album, which would take the group back to where it all began – Led Zeppelin’s 1969 debut. The band solicited the help of producers Perry Margouleff and William Wittman, who approached the project with two main musical intentions: to remain true to the sounds and textures of the “vinyl” version of the record and capture that ‘tight-but-loose’ intensity in the moment. Recording at Margouleff’s Pie Studio’s, a world class analog facility, the band employed all of the same vintage equipment used by Led in 1968 – from the ’50s era Les Paul and Telecaster, to the Supro amp, 60’s era compressor, Hammond organ and Fuzzbender stomp box -- working fastidiously to recreate the incredibly complex layers of the album with a dedication that has never before been demonstrated by any band of this type in the history of the rock world.

Lez Zeppelin is set to launch a full-length tour of Europe, the United States and Japan in early 2011 to support LEZ ZEPPELIN I, and to continue to deliver a musical experience that not only exceeds expectations, but serves as the authentic female counterpart to one of the greatest rock groups of all time.

DJ Alex Kayne

Born and raised in Brooklyn, New York DJ Alex Kayne started out as a teenage mobile DJ spinning dance music in the mid 70's. His club DJ career began when he beat a multitude of other DJs, winning a borough-wide turntablist "Battle of the DJs" mixing contest at the Night Gallery Discothèque in Brooklyn. Word on the street about the winner of this battle spread quickly and Kayne began getting a lot of work, DJ-ing in several local clubs. Over the years, he has worked at various venues large and small in and around the New York City area. He is widely considered to be New York City's first ever heavy metal club/venue DJ. A name that is synonymous with L'Amour, Alex Kayne first came to the as then unknown but future world famous Heavy Metal Venue L'Amour in 1979. His DJ residency there started in 1980 and ran continuously until 1985. Subsequently he worked at L'Amour East in Queens, and at L'Amour on and off until the Brooklyn venue closed in 2004 and was the only DJ at L'Amour's Staten Island spinoff club from 2006 to 2009. During his early tenure as L'Amour's original metal and most popular, influential DJ, his raspy, booming voice and more importantly his unique brand of hard rock and heavy metal spinning style gave the venue its unrivaled personality, directly contributing to the venue's worldwide fame while elevating the club’s prestige among the burgeoning metal sector. He is widely credited as the first club DJ in New York to spin Metallica, Accept, Biohazard, Y&T, The Rods, TNT, Queensryche, Anthrax, Raven, Anvil, Megadeth, Manowar, White Lion, Helix, Talas, Motorhead, Girlschool, Metal Church, Tygers of Pan Tang, and Slayer among many others, breaking and expanding their notoriety on the east coast. Kayne is considered an influence by many younger local rock/metal DJs, and is an early New York VJ influence, one of the first to meld horror films with heavy metal music on the big video screen at L'Amour. With a career spanning 40 years, including live performances stretching across 110 venues, spinning on the same bill supporting bands like Metallica, Megadeth, Slayer, Anthrax, Iron Maiden, Rob Halford, Anvil, Raven, Twisted Sister, Biohazard, Type O Negative, Lacuna Coil, Kiss, Ace Frehley, Exodus, Kix, Queensryche, Warrant, Bullet Boys, Overkill, Ratt, Warrior Soul, King's X, Winery Dogs, Winger, Stryper, Life of Agony, Manowar, White Lion, Motorhead, and hundreds more, DJ Alex Kayne continues working the U.S. Eastern Seaboard club and concert venue scene, where he is highly regarded and respected among rock and heavy metal DJs. Kayne continues to keep the spirit of L'Amour alive and keeps the metal fires burning, spinning metal to the masses, breaking new bands as well as honoring rock and metal's old guard. Recent live appearances include The Jones Beach Ampitheatre, The Stone Pony, The Gramercy Theatre, Stage 48, B.B. King's Blues Club, Sony Hall, Irving Plaza, and Terminal 5. DJ Alex Kayne is a music connoisseur on a continuing mission to keep L'Amour and Heavy Metal alive and kickin', and to bring back respect and recognition to an endangered species - the Rock/Metal Club DJ.